Chapter 6 - Drawback
You recognise each of them from their photographs.
Charles Kaleni, weathered and tall, his hair shaved back to a faint grey fuzz, leaning against the open door of the makeshift operations room, is smoking a small cigar. Sasha Wojcik and Billy Budd are dancing, giggling, hand-in-beer-in-hand, to the tinny noise emanating from a small CD player set on one of the chairs.
“I don’t want, anybody else, when I think about you, I touch myself-”
As Kaleni, dropping his cigar at the sight of you, barks at them to fall in, Budd dashes for the CD player, turning it off, while Wojcik’s the first to stand in line; and that’s Steven Cutter beside her, short and bulldog-brutish, and Nikhil Paudal, missing an ear and rising, last, from his game of patience upon the floor.
“Easy, lads, easy,” Trentbridge says from beside you. “It’s not a bloody parade. We’re just here for a chat. Captain, I do hope you’re not being too hard on them.”
“Worthless wretches and insubordinate maggots, sir,” Kaleni growls, straight-faced. “Got to keep ‘em on their toes. Give ‘em an inch, sir, they’ll take a mile. Got to push these spineless single-celled little pondscum, push ‘em up the evolutionary ladder till they’re close enough to pass for actual fucking Englishmen.”
A few of the soldiers grin; Trentbridge chuckles, leniently, and you take that as your cue to smile as well.
“Take your seats,” he says, flapping a hand, “take your seats. I want to introduce you to an essential part of our little project. This is Mr Sommers; he wants to have a word with you.”
You step forward. Time to make your presence felt.
“I suppose I should begin by saying that we’re all immensely proud of your accomplishments in training,” you say, scanning the faces of the team, “but let’s be honest - the training isn’t why you’re here. You’re already highly-trained, you’re already extraordinarily capable; you want to get out there and do some damage.”
“Ready and waiting, sir!” Budd calls out, before Kaleni snarls back,
“Quiet-”
“Damned glad to hear it,” you tell him, smiling. “But we’re not going to send you in half-cocked. Which is why I’m going to be taking Mr Fellowes off your hands for a few weeks - to scope out a potential target. I’m sure you’ll all miss him.”
“Won’t be the same without old Downton Abbey around to cheer us up, sir,” Wojcik says, to a chorus of chuckles.
You assume you’re meant to know what that’s referring to.
“You’ll have him back soon,” you say, “I promise you that. And before long, we’ll see the bastards fleeing our country in terror and we can all celebrate together. In the meantime, if there’s anything you need, anything at all, call me directly and I’ll provide it.”
“There was one thing, sir,” Cutter ventures, raising a hand. “The scopes on the rifles, sir, standard-issue, and they’re not up to much. Said to the others, they’d be better off taping a bog roll to the barrels, sir...”
You listen patiently, make him write down the make of the scope he’d prefer, and once you’re back in the car, you arrange for a boxful of them to be shipped out to the facility - along with a new, more expensive sound system.
The bond of blood is one thing, you tell yourself; but Kine need to be able to justify their feelings to themselves; pretend they’re rational creatures and not driven by the mindless chemicals sloshing around inside them.
*
“Religious extremists?” Horn asks. You can hear him breathing down the phone, gasping for air as if even this conversation is tiring him out. “You, you’d probably find them loitering about in, in Finsbury Park, eh? What’ve they been up to this time, Patrician?”
“Christian extremists,” you explain patiently. “They’ll probably have entered the country separately, on forged passports, some time in the past month or so - and while at least one of them’s Italian, we can’t rule out the possibility that others have arrived from other countries - so you’d need some dedicated people to sieve through the data and find the patterns. They’ll be in contact with someone back home, and they’ll have smuggled a large quantity of weapons in to await their arrival. They’re genuinely pious, so it’s highly likely they’ll be attending the Easter service somewhere in the city if that’s of any use.”
You continue to give him details; he whines a little about the impossibility of monitoring all two-hundred-and-fourteen Catholic churches in London or locating a group of possibly illegal immigrants in a nation brimming with them, but soon acquiesces.
As you lower your phone, you frown. Something is off; your car, you realise, has been at a standstill for quite some time.
Rapping on the smoked glass at the front of the car, you snap,
“Driver - what’s wrong? Why aren’t we moving?”
Mr Cripps growls, his voice muffled behind the screen,
“Jam.”
“A jam?” you exclaim. “At three in the morning?”
“Jam.”
You wind down the window and poke your head, a little gingerly, out into the night.
A couple of taxis are, indeed, waiting in the entrance to Regent’s Street ahead, engines running, horns parping out in frustration and the chaos blocking the road ahead.
Silent, masked figures are moving up past the colonnaded shops towards Oxford Circus, twirling, cartwheeling, past each other in circles and in waves, centring about a procession of lorries trundling slowly up the very middle of the street. Fire-eaters turn to the empty pavement and blow billows of flame at the non-existent spectators. The enormous origami-paper heads of exotic animals - giraffes, elephants, lions - turn, flapping their ears, from the top of a lorry trailer, puppeteered by dancers below clutching their strings.
Stepping out of the car, you catch sight of the gaudy, hand-painted sign on the side of one of the lorries.
‘Cirque De Loon’.
“Making mincemeat of Moscow,” a bright voice cries, from far above, “hamstringing the Hippodrome, sodomising the Soleil, castrating the Colosseum itself, ladies, gentlemen, children and beasts, abandon your religions, denounce your gods, forsake pleasures earthly and unearthly, for your prayers have been answered - the return, once-in-a-lifetime return, of the ghastliest and greatest show on earth, its first stop, Loondon Town, city of crazies, blessed Bethlehem of Bedlam-”
The Pell-Mell Queen is small, and perched atop the cab of one of the lorries. You can make out a face painted ghostly-white; she stretches out her arms and cries, at the two policemen who lean back on their car, alone on the empty street and watching her with some amusement,
“Push the crowds back, constable, please, keep them back - there’ll be chaos, there’ll be stampeding, there’ll be bodies trampled underfoot, eight-year-old hoodies stabbing their own mothers and stealing her purse just for a ticket to the night circus, the damned circus - we’ve dug up P.T. Barnum and he’s the main event of the freakshow! Hie thee to Hyde Park, kill that rickshaw driver there and hijack his vehicle, he’s not doing anything with it, we’ll be waiting, we’ll be wilting without you, come nimble, come quick, jump over the candlestick-”
You watch as the procession moves, achingly slowly, past a few late-night clubgoers with their mouths open and one confused-looking drug dealer, up to the Circus and out of sight.
“Making an entrance,” you say, to nobody in particular.
*
“I never saw her myself,” Vogler says, gazing into the fireplace. “But she’s quite mad, reputedly - someone once told me other Malks used to make pilgrimage out to visit her, just to soak in her raving, listen to the voices babbling up out of her. Like taking the waters at a spa, I suppose.”
“Hm,” you respond, pacing back across the drawing-room floor.
“Your man Fellowes,” the Gangrel continues, “he’ll be with the Archon now? I suppose you’re glad to have a man on the inside.”
“Mm.”
He sips at his vitae glass, deposits it carefully on the table beside him, and says,
“You know, when I was out in the wilds, decades and decades ago - funny how these little things stay with you - I passed through the bracken, down by a lake, and stepped on an adder. Little bastard bit me, quick as you like, and darted off into the undergrowth. He must have thought his venom was kicking in, causing me quite incredible pain - he must have thought he’d got the better of me. Well, I called him back, drowsy and docile, under my spell, and he must have thought himself safe as I lifted him up, gentle and caring, and wrung his neck.”
“A spiteful, petty act of revenge against a creature that had no way of understanding what revenge meant,” he concludes, “but the moral I took from it later was that when we do not know the nature of the game our opponent is playing, we have no way of telling when we’ve won or when we’ve lost.”
“I’m not interested in parables,” you snap. “Turcov’s game is simple enough - he doesn’t want to act openly against me, so he tries to keep me weak by taking away as many of my assets as he possibly can. I might pull the same trick on him by inviting his Toreador toyboys to a fucking year-long poetry workshop in the countryside.”
Vogler pulls a sympathetic face.
“I did as you asked, incidentally,” he tells you. “Some of my men will come down to London to lend a hand once they’ve finished up their duties in Swansea. No idea how useful they’ll be - bunch of outcasts and failures. Aside from kicking out an Anarch den when we first moved in, they’ve hardly proven themselves.”
“Outcasts and failures,” you murmur, “we can make something of. All right, so-”
A horrid, drawn-out mechanical whine-and-rattle; as Vogler frowns and turns, trying to discover the source of the noise, you stride quickly to your desk and turn the security screen on.
“Someone’s trying to get over the wall,” you breathe. A tiny, hooded figure, supported by two others, struggles to reach the razor wire at the top of the high garden walls, then takes a step back. Something is ignited, and lobbed; it explodes into flame somewhere on the lawn on the other side.
Vogler snaps, leaping from his seat,
“Stay here-”
And goes. Doors slam in the distance.
You bring up another shot of the wall onscreen. The three figures huddle together, more closely, beside the old willow that stands by the carp lake. Another makeshift firebomb is produced, and thrown.; this one seems to land somewhere closer to the ornamental pond. One of the attackers - a Brujah? - takes a step back, judging the height of the wall, and runs at it, scrambling up the sheer brick, their shoes finding the cement cracks, his fellows cackling in excitement as he goes.
He reaches the top; as he turns to salute his comrades, the hideous shape of Mr Cripps comes flying out of the darkness of the willow branches, tackling him. The two of them plummet down together, out of sight.
The other two attackers gape, turn, and flee.
You flick between the various camera settings, but you’re unable to make out anything else.
About ten minutes later, Vogler calls you. He sounds breathless, and a little thrilled.
“I got one,” he says, “and your Nosferatu got another. The others ran away down the hill. Looks like the fires didn’t spread, either - the lawns are too damp from last night’s rain.”
“Sabbat?”
“I’d say so. Come out and have a look.”
*
It’s been painted across the wall in some kind of viscous, oil-black substance; the letters three feet high.
FOR ANGELOS
Your grip tightens on the pommel of your cane.
“Looks like you’ve been marked,” Vogler says, cheerfully. “Wonder how they got this far north.”
His face and beard is spattered with blood and droplets of gore, respectively; he doesn’t seem to care.
“The woes of taking on the Sabbat in London,” you reply. “A raid here, a murder there - and they vanish back into the underground, leaving their old dens behind. A city too large to police. They’ve moved their damned Court six times since they made it.”
“About that,” Vogler begins. “My Swansea friends may not be of much use, but I can contact Venice for help if need be. Have you considered the use of an Assamite-”
From the wall above, you hear Cripps growling.
The genteel cobbled street outside Witanhurst descends down a steep hill, past Highgate Cemetery, down towards Archway and, eventually, Islington. And now, by the light of the distant lampposts and the grey pre-dawn sky, you can make out two of the hooded figures, lingering just beyond the crest of the slope.
They don’t appear to be in any rush to come closer. One of them crows, raising their hands to their mouth,
“Blue-blood. Blue-blood. Fuck you standing there for, Blue-blood?”
Vogler glances sideways at you.
“They’re just shovelheads,” he says. “Puffed-up on blood and a newfound sense of power. A nuisance, not a threat. We could take one alive, maybe find out who embraced them, if they were taken to a den we might find out where it is-”
“They’ll have a van nearby,” you warn. “They’ll have to - only way to get away before dawn.”
A) Attack, all three of you. They’re only shovelheads.
B) Let the other two attack. Best that you stay out of it, shovelheads or not.
C) Return to the estate. The shovelheads won’t be able to hang around much longer before dawn.
And (assuming you survive, of course) what would you like your next move to be?
A) Contact the editor of the paper that ran the Mandrake story.
B) Visit the Pell-Mell Queen in Hyde Park.
C) Bring in Vogler’s Assamite, if possible.
D) Spend time personally expending resources to hunt down the hunters.
E) Summat else.