Chris Avellone
Arcane
I see. Were the 6 classes as stretch goals ordered Feargus or did they come from the team?
Right, but Sawyer said he worked with them to conceive the companions. He even said they still followed MCA's guidelines for companion design. As far as concepts go, I'd say they did follow most of it, but the execution was terrible.
Tyranny did have better companions than Deadfire, but two of its writers have left the company, so I guess there's no solution there either.
Stretch goals: I don't know, I wasn't involved with the KS stretch goal decisions (I did weigh in on companion design, but those were guidelines, not mandates, and they weren't followed consistently). I did help out with press contacts (I got Josh the interview on NPR, for example).
I do recall Josh complaining about the "two big cities" stretch goal and he said that came from the owners, but I had no part in, or was aware of, that decision. Often, the "owners" were "an" owner or Parker and Feargus in tandem coming to their latest brilliant decision, but the problem becomes everyone else at the company believes such decisions were a group "owners" decision, which is really confusing when someone is in your office (like Josh was) blaming it on the collective and you go silent b/c you have no idea what the fuck he's talking about. Again, we weren't really good about communication at the top level, right down to the PoE1 release date, which came as a surprise to me when I found out it had been pushed back because of the scoping issues (but I was glad it was delayed, it was in no shape to ship when originally promised - Deadfire could have used a few more months to cook as well).
As for companion design, story design, etc. I still don't understand who did what narratively on Deadfire (for example, Carrie wasn't listed as a lead until what felt like late in development, and if so, it sucks to be saddled with story decisions you didn't decide - that happened to me on Alpha Protocol, but I tried to roll with it), so I couldn't give an opinion on anything else. I would love to hear what those narrative breakdowns were, though, when the transition happened, and how much freedom each designer was given for each companion and for the lead making story corrections. On the companion side, I could always ask Tony Evans (Serafen), I suppose, but a contractor may have had a different experience than someone full-time at the studio.