Yep, yep, yep, and everything except his personal life and why he's following me (I don't care). I've explored every location that I can see and initiated contact with every NPC (immediately noping out if they have nothing important to say).
This is not a crpg where you nope out of dialogues and go to combat encounters. Hell, people here can't even agree on whether it's an RPG. Let's call it a narrative experience. As such, you're expected to talk to people, and if you don't care about them at least you will learn more about the world. And pass time, as well. Reconsider your approach to the game. It will pay off, if you care about the story, even slightly. One of the most profound experiences I've had in gaming has been in this game. Actually, two.
That's what you get for trying to be a no-fun hardass.
Yeah, I got the "unbelievably boring f**k" achievement not too long after.
I did but I read all the cases in the first day. I'm under the impression time doesn't pass if you select dialogue options you already read.
I unlocked the regular law official thought but I didn't slot it in because inland empire has been pretty useful on occasion and I don't want to quiet the voices if they're helpful.
You can cheese those by just resting at a bench once Kim goes to sleep I'm pretty sure. The Regular Law Official thought doesn't take long to compartmentalize.
Reading the ledger also passes the time too. But if a thought sounds interesting or like something you'd actually want to know more about/have harry be, just go for it. A one point difference usually doesn't matter that much and you can forget them later if you don't want them
Day 3 has been a really busy morning of interviews and detective-work so I'm quite content to play the game like this.
Maybe the way his mind works makes him unable to enjoy Disco the way most of us do. What a particularly mundane and sad experience
Day 3 has been a really busy morning of interviews and detective-work so I'm quite content to play the game like this.
You could also be content to watch Tarkovsky without paying attention to subtext, but then what would be the point
"one of the best"
The hardest hitting sequence in the entire game. It was the first time that a game made me think "this was written by people who have actually experienced love and heartbreak," not some thesaurus armed California creative writing graduate. It's genuine. They've done with words what AAA companies can't do with millions of dollars worth of cutscenes and acting talent. And then she says "see you tomorrow." Those words cut like a razor.
Calling The Wire a police procedural is like missing the point in a big way
It's more than this, sure. But it is also a police procedural.
