1eyedking said:
When you're writing something technical, yes.
But prose?
Yes, prose. When you're writing a story think twice before you consider each sentence OK. I'll give you an example:
When you write this, you should ask yourself - why are you even mentioning it? Is John a glutton or has some other trait that could be illustrated by showing him making a sandwich, and this is a way to remind the reader about this trait? Is the sandwich relevant now or will be in the future? Does it really stimulate the reader's imagination? What exactly is the purpose of this sentence?
If you can't give an easy answer to this question it's very likely that this sentence is completely unnecessary and creates chaos by giving the reader too much information he doesn't need.
This is exactly the reason writers don't usually mention everyday stuff like going to take a dump. Not because it isn't tasteful since you can use pretty wording to cover it up - but because usually there's not one damn reason to mention that the protagonist and his cousin make use of a toilet a couple of times during the day.
This rule applies to poetry, too - at least modern poetry. When writing a poem you can't be too specific. Every word should either have meaning, add something to the poem - or be crossed out or replaced. I've seen many amateur poems ruined by a couple of completely unnecessary words. Here we call a word like that 'a grind'.
1eyed said:
Monocause said:
The original line from DA which was dissected fits the first professor character. It is easily understandable and has nothing that would unnecessarily complicate things. Your line fits the second professor perfectly.
I'll pull VD's usual asshattery for this one: why?
Asking 'why' is not asshattery. I'm tempted to make a nice jab here at you, but I'll pass.
Let's take a look at the sentence once again.
"Faith decrees that for what one sees, one should decree faith.
What does this even mean? That one should believe what he sees? "Faith demands that you have faith in what you see?"
"In growing ever comfortably blind we know no difference in darkness, and light no longer casts shadows to trouble us"
Does this mean that when we blindly refrain from asking questions we are less troubled by the world around us and by the lack of answers? Seriously, I don't know. We know no difference in darkness? It might mean that we see everything either black or white. It also might mean other things. I'm confused, guess I'll be better off sticking to what the Chantry tells me.
What's the rationale between covering the meaning of such a message behind some mystical mumbo-jumbo? A person who's attacking religious people as the ones who blind themselves for comfort shouldn't be using the exact same techniques like the ones he's criticising. That's why I mentioned Hakunin - he took every sentence and transformed it into something that was meant to be seen as timeless wisdom; in reality he just wanted you to kick some large plants out of his garden.
If I were to rewrite the base sentence, I'd go somewhere along the lines of:
"And how do you know they're right? They seem like the sort who finds comfort in mindlessly accepting whatever they're told / Perhaps answers to some questions are more complicated than the Chantry would like you to believe."
That's also too long and English isn't my native language, but you get the idea. The guy who's speaking is the rationalist type. He tries to make the PC question what he hears through giving a cold and logical observation that isn't easy to refute. The last sentence is separated from the rest by a slash because I don't remember the context of the conversation and I don't know if it would fit in. Its purpose would be to prevent the two previous sentences from being perceived as a simple attack on the religious folk - which might happen since I used the negative word "mindlessly". He intends to cast doubts.
All things aside, I wouldn't rewrite the sentence. I think it's fine and I still don't know what's wrong with it. "Swallowing a great deal" is indeed a stock phrase and yes, we all use stock phrases all the time. Great writers like Dostoievski also used stock phrases.