Grotesque
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- Joined
- Apr 16, 2012
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FFS, can someone summarize any gameplay related tidbits from that wall of text?
So when RPG Codex will get to interview Mike Pondsmith and ask the hard questions?
I think we would need music that grants access to zaibatsu.If Lazerhawk did the audio this would be GOTY already.Are there any leaks on who will do the music/audio? Will it be someone properly CP like Kavinsky or Lazerhawk.. or in-house?
We caught up with RPG legend Mike Pondsmith at Gamelab to talk about Cyberpunk 2077, his work at CD Projekt Red, pen and paper role-playing, Japanese anime, and much more.
Welp, CDPR can't just stop telling other to stop hyping CP2077 before devs planned to.Keep hearing so much talk about this, what about some actual fucking gameplay? or screens. Eh, hard to get hyped.
I don't think players really care much about the setting nowadays more than the quality of the experiences offered in the games. If CDPR succeeds in developing a brilliant "game experience" then there's no reason why it wouldn't sell.I wonder if they made mistake by making high budget cyberpunk game.
I wonder if they made mistake by making high budget cyberpunk game. I mean there is not many successful cyberpunk games or movies. Actually there is not many cyberpunk movies or games and most likely for a good reason.
Deus ex was never a huge hit even it is basically only cp game, so they basically has monopoly on cyberpunk genre and yet cant capitalize it.
Blade runner barely made any profit, actually most likely it did not when counting marketing. Both Trons went average success. First robocop was successful movie, rest flops(new went good). Judge dredd and dredd was both flops.
Well, matrix was hit, but that is most likely because its awesome slow-motion effects. But that is barely in cyberpunk genre anymore but more close to plain scifi.
So this might end in financial disaster for cd projekt red. Well, im sure it will not be end of cdprojekt when ea or ubisoft will buy them from discount bin.
I wonder if they made mistake by making high budget cyberpunk game.
Westworld would likely be the closest thing, I'll be surprised if the bladerunner movie isn't targetting the same audience as the total recall remake and its ilk.I dare say Bladerunner 2049's performance, and other such cyberpunk tv/films will have a say in how it performs. If they currently released a Marvel/DC based game you can guarantee it'd sell by the spunkload.
Westworld would likely be the closest thing, I'll be surprised if the bladerunner movie isn't targetting the same audience as the total recall remake and its ilk.I dare say Bladerunner 2049's performance, and other such cyberpunk tv/films will have a say in how it performs. If they currently released a Marvel/DC based game you can guarantee it'd sell by the spunkload.
One of the reasons that The Witcher 3 sold so well because Games of Thrones has cemented the low fantasy genre amongst the casuals. It rode the wave of a trend, much like how even average hair metal bands were popular in the 80's, but died a quick death in the 90's. I dare say Bladerunner 2049's performance, and other such cyberpunk tv/films will have a say in how it performs. If they currently released a Marvel/DC based game you can guarantee it'd sell by the spunkload.
One of the reasons that The Witcher 3 sold so well because Games of Thrones has cemented the low fantasy genre amongst the casuals. It rode the wave of a trend, much like how even average hair metal bands were popular in the 80's, but died a quick death in the 90's. I dare say Bladerunner 2049's performance, and other such cyberpunk tv/films will have a say in how it performs. If they currently released a Marvel/DC based game you can guarantee it'd sell by the spunkload.
While I agree with you, to a point, Witcher is hardly low fantasy. Monsters running around, fantasty races everywhere, mystical magic stuff and curses. Sure, magic is "rare" but every plotine in Witcher involves tons of mages, so you dont really feel the lack of magic. Also, most of the plots are quite epic at the scale, concerning fate of kingdoms, worlds and whatnot. Quite high fantasy, imho. The mainstreamization of GoT did have an influence upon the success of Witcher 3 tho, thats for sure.
Heck, I'd dare say even GoT has left the low fantasy setting quite a while ago. With dragons flying everywhere, an army of zombies and all that "magic" stuff (resurrections, shadow magic, face stealing...) I'd say its reached "medium fantasy" level long time ago, if not even high.
One of the reasons that The Witcher 3 sold so well because Games of Thrones has cemented the low fantasy genre amongst the casuals. It rode the wave of a trend, much like how even average hair metal bands were popular in the 80's, but died a quick death in the 90's. I dare say Bladerunner 2049's performance, and other such cyberpunk tv/films will have a say in how it performs. If they currently released a Marvel/DC based game you can guarantee it'd sell by the spunkload.
While I agree with you, to a point, Witcher is hardly low fantasy. Monsters running around, fantasty races everywhere, mystical magic stuff and curses. Sure, magic is "rare" but every plotine in Witcher involves tons of mages, so you dont really feel the lack of magic. Also, most of the plots are quite epic at the scale, concerning fate of kingdoms, worlds and whatnot. Quite high fantasy, imho. The mainstreamization of GoT did have an influence upon the success of Witcher 3 tho, thats for sure.
Heck, I'd dare say even GoT has left the low fantasy setting quite a while ago. With dragons flying everywhere, an army of zombies and all that "magic" stuff (resurrections, shadow magic, face stealing...) I'd say its reached "medium fantasy" level long time ago, if not even high.
Would agree with you for the first 2 Witcher games, but - even though elements of high fantasy are present in TW3 - the main focus is a very mundane, low fantasy trek to find your daughter via finding a boat load of other people in the process.
That's an aside though really. Back to my GOT point though, just look at it visually. I've only just started watching GOT this past few months (so way after I've forced myself through TW3 for a 2nd time) and as I was watching it I constantly kept thinking "looks like TW3. looks like TW3". Whilst TW3 has it's own various qualitities, there's absolutely no doubt that it arrived at a time when the mass market was already lubed up for fantasy stories by GOT.
It's like a metal album hitting the number 1 spot in the 80's. It must be good in some way to do that, but there's no doubt that the trends at the time influenced it's rise too.
It'll be interesting to see if the teenies Fantasy focus shifts to a 20's cyberpunk focus.